Hello beautiful dancers!
Monday, November 18, 2024
Zooming in the holidays?
Tuesday, November 5, 2024
Fall back into ballet!
November 2024 schedule
8:15-9:15PM - Beginner jazz (Dance Party!)
Thursdays
6:30-8PM - Basic ballet
8-9:30PM - Open level ballet
Saturdays
9:30-11AM - Beginner ballet
11AM-12PM - Pointe/pre-pointe
Sundays
11:30AM-1PM - Basic ballet
Ready for Thanksgiving class?
Our traditional Thanksgiving morning class will be on Thursday, November 28 at 10AM!
It's always fun, always lively - a truly wonderful way to start the
holiday and express gratitude for the terrific community we have. Join
us! All are welcome! (No evening classes on Thanksgiving, only this
special morning class)
Your feedback is requested!
In December I will be out of town but I would be happy to teach a few classes via Zoom if there are enough students who would participate. If this is something you would do, please email or text me (323-640-6804) with your name and day and time. I would like to rent studio space where I will be staying so I can properly teach. Thank you!
LPBC News
Get your streaming tickets for "Sweet Sorrow, A Zombie Ballet"!
The company had two fabulous shows at the Lanterman on October 19 and 20. The audiences went wild for the new characters and dances and of course, the zombies!
If you missed the live show, get your streaming ticket now and you will be able to watch anytime you like from October 30th through November 10th. Tickets are on sale now!
Wondering what to expect?
Watch this video from Halloween Every Night from the Saturday night show. You'll see a sneak peek of the show plus an interview with me.

Photo of Witches by Jazley Faith Photography
From left: Stephanie, Samantha, Kristina, Amanda, Mika
Here's another fun video treat from remote company member Kavita and two of her friends.They were inspired by the show to create their own hilarious story involving vampires, a special black cat and a magic spell book.
Saturday, August 31, 2024
It's still summer in the studio!
| ||||
|
||||
|
Thursday, May 30, 2024
Dance at Home with Me!
Hello beautiful dancers!
As promised in my newsletter, I'll be posting on my blog some of my YouTube "pandemic" videos from 2020-2021 when I was doing daily live classes from my living room. Remember those days? Thankfully they feel very long ago!
This one is from June 14, 2020:
Enjoy! And keep on dancing!
I'll post more in the coming days while I am out of town.
Wednesday, May 1, 2024
May news: Summer break plus June 1 All Day Ballet!
|
||||
|
Friday, June 30, 2023
July news! Class updates coming in August!
July 2023 schedule - In-studio and online!
Wednesdays (Inspire Dance Studio)
6:30-8PM - Beginner ballet
8-9PM - Beginner Jazz
Thursdays (Inspire)
7:10-8:40PM - Basic ballet
Saturdays (Inspire)
9:30-11AM - Beginner ballet
11AM-12PM - Pointe/pre-pointe
Sundays (Inspire)
11:30AM-1PM - Basic Ballet
LIVE ARTS LOS ANGELES STUDIO TO CLOSE IN AUGUST
The beautiful (and big!) studio in Glassell Park will be closing for good this August, a tremendous loss for our dance community. Karen and Jennifer created a welcoming environment for all kinds of movement-based activities in the LA area and I loved holding my Tuesday night class there after Dance Arts Academy closed (another great studio lost!). The last class I will hold at LALA will be on Tuesday, August 15. I hope you can make it!
AUGUST SCHEDULE CHANGES COMING!
With the loss of one studio comes the opportunity to restructure! Beginning Thursday August 24th, at Inspire Dance Studio, the Basic Ballet class will start at 6:30PM and will be followed by Intermediate Ballet at 8PM. I will remind you all again in next month's newsletter too.
CLASSES CONTINUE ALL SUMMER
Jazz, ballet, pointe! We're dancing through the dog days of summer. It's a great time to try something new: a new style of dance, a new level of ballet...and if you're itching to clean up your pirouettes or have something specific to work on, why not schedule a private lesson? Contact me for more info.
LPBC News
Mark your calendars for our own special Nutcracker: November 11 &12, 2023 at the Lanterman Auditorium!
Did you miss our Pride video? Last month dancers of the company participated in this celebratory video with poetry and dancing; they narrated it and edited it and I loved being part of it too! Click the image below to check it out:
Monday, August 1, 2022
August newsletter is here!
|
||||
|
||||
|
Wednesday, June 29, 2022
Your second leg: the easiest thing you can focus on to up your technique!
Hello beautiful dancers!
While watching students in a class that was not my own, I was struck by a common element that seemed to distinguish beginner dancers from experienced ones, messy technique from clean technique:
The Second Leg
No matter what the student was doing - a glissade, a pique turn, chaine turns, pas de chat - the second leg, that is, the leg that follows, was an afterthought or placed incorrectly. The first leg - the lead leg - was fine! In some instances, it was great! But the second leg...
...not so much. Some problems I saw:
In a glissade, the second leg is turned in and placed into fifth instead of extending to second with energy and the toes melting into the floor before the foot closes.
In a pique turn, the second leg steps across the lead leg instead of cutting under it.
In a series of chaine turns, the second leg both turns in and crosses over the lead leg instead of staying in tight first position.
In a pas de chat, the second leg doesn't propel the body to the side but instead lifts in place by the knee and turns in.
There are many, many more examples I could use so okay, let's talk about some of them too:
In a pirouette en dehors, the second leg - the standing leg - doesn't push up to a full releve but spins in place on the ball of the foot.
In a grand jete developpe (or saut de chat), the second leg doesn't actively battement off the floor but drags behind.
In a grand jete en tournant (or tour jete), the second leg doesn't kick higher than the lead leg and gets turned in.
In a pique arabesque, the second leg doesn't maintain its rotation and gets turned in.
And on...
Do you see where I'm going with this?
**Focus on your second leg.
**Focus on the leg that you're not actively thinking about.
We spend a lot of time thinking about stretching the leg fully for a pique, and we brush the leg very high for a grand jete, but we forget about the leg that follows - the Second Leg. Where is it? What is it doing? How does it need to be activated? Is it staying turned out?
All of these things should become second nature to you and when they do, then your technique will be clean. Remember, it's not about height in a jump, not about the number of turns you can do, not about the speed of your traveling turns...it's about proper placement of the feet and and maintaining rotation.
And it's also about safety! If your second leg isn't working correctly, if you're overcrossing, you will spin out of control on turns and run into other dancers or off the stage. If you're not kicking that back leg on a jump or pushing for a pas de chat, you can land badly and hurt your knee or your hip.
So next time you're in class, take a moment to focus differently. Learn to love your Second Leg!
Happy dancing!
(And don't forget to sign up for Gentle Ballet on Sundays at 11:30AM AND get your tickets to the streaming event of Hotel at the End of the Universe on July 9 &10!)
Tuesday, March 15, 2022
What's coming this spring? Jazz in the studio and on Zoom - starts April 6!
Beautiful dancers, I am so excited to announce my first offering of Basic Lyrical Jazz!
Friends from college will remember me as a lyrical jazz dancer, not a ballet dancer (did I tell you I used to run out of ballet classes with tears in my eyes because I felt so discouraged? lol...no? okay, forget I said anything - I love ballet!)
The thing is, as much as I truly do love ballet - and honestly, it is a challenging yet beautiful art form that I take tremendous joy in teaching - I have missed lyrical jazz.
| No, we will not do floor work in my class. |
Note: please do not confuse "lyrical jazz" with "lyrical" or "contemporary," whatever the heck those latter two things are supposed to be. The words lyrical and contemporary are modifiers, not nouns. You would be correct to ask someone, "Contemporary what? Art? Music? Furniture?"
Back in my day - lo, these many decades ago - which is, ahem, the 80s, my jazz classes danced to music by Annie Lennox, Art of Noise, Wham! and everything you've ever heard on a John Hughes movie soundtrack. The movement was a nod to ballet but also jazz and modern dance. Pirouettes were in parallel and traveling steps included very wide balances which we called step, ball, change. We wore flared jazz pants or unitards, Oxford style jazz shoes and little socks or tights, and of course, leg warmers and matching head bands.
It was fun. F. U. N. FUN!
The competition crowd has taken lyrical jazz and turned it into an acrobatic kind of thing with dancers expressing overwrought emotions and miming the lyrics to the songs. When I taught teens, I would see them singing along to songs in their classes or, worse, I would see their teachers teaching movement to the words in the lyrics. What the heck? No, just no. Maybe if you were on Broadway doing "Chicago" or something.
| Not Fosse. |
When you take Basic Lyrical Jazz with me, you will get a 20 minute warmup, 20 minutes of turns and traveling steps and then 20 minutes of choreography to a fun piece of music. It will feel like casual ballet, gooey modern, and expansive jazz. Add it all up and you get lyrical jazz.
Come try it out: Wednesdays, 8-9PM PST, at Inspire Dance Studio (or on Zoom if you are so inclined).
BONUS: Take both the Wednesday Beginner Ballet from 6:30-8PM first and get $5 off when you also sign up for the jazz class on the same night. Just purchase the ballet class first and then you'll get the code to apply to the jazz class.
Starts April 6!
Sunday, July 4, 2021
What's happening in July? Newsletter!
| ||||
|
||||
|
Wednesday, October 7, 2020
Your developpe could be better...3 tips!
Just as with pirouettes, there are so many things we can be thinking about when we do développé.
And just as with pirouettes, we can't possibly think about all of them at the same time!
So here are 3 things to focus on when you work on your développé, one for each direction. If you can make them part of your muscle memory, you can free your mind to think about other things, like choreography or performance quality:
Devant
![]() |
| Gamzatti Variation Classical Ballet Solo by Harclade |
This means "to the front."
Think about: lower belly (that triangle-shaped area underneath your belly button).
When we talk about "lifting" the lower belly, we mean trying to keep your pelvis upright, not tilted (don't spill your cup of water!). Often when we stretch the leg to the front, we collapse our centers and the lower belly tilts backward. To compensate for this, we grab onto the barre tightly. Instead, when you are working to the front, try to imagine your lower belly flat and the cup of water you are keeping there upright. As you stretch the foot away from your center, picture the heel rotating outward to spiral out and up, not down.
A là seconde
![]() |
| Aurora Ballet 20120504019 by Greg Gamble |
This means "to the second position" which we commonly interpret as "side."
Think about: the side of your rib cage from under the armpit to the top of the waist.
You can apply this correction when you work to the side, thinking about the "barre" side of your body. As you stretch the leg out, try to think about the opposite side of your waist lengthening and providing a strong stable complementary base to the working leg. While you do want to extend the leg as high as it can go, you also don't want to allow it to pull you off your standing leg. If you can picture yourself growing taller on both sides of your body, you can evenly extend the leg to the side without collapsing toward the barre (or in the center, you will remain upright and not fall over).
Derrière
![]() |
| IMG 0224 by Dubna Fantazia |
This means "to the back."
Think about: working through back attitude.
I don't have eyes in the back of my head and I'm pretty sure you don't either. That's why it can be hard to stretch your leg to the back without crossing it over the heel of the standing leg or leaving it open (what we call "secabesque" when we are being silly). It's also quite easy to lose your rotation and wind up with a turned-in leg. As you develop the leg from passe, try to go through your back attitude before you completely stretch it out. This will keep your rotation and also ensure that you are not crossing it too much. It's a very 3-dimensional feeling to move through the space like this, rather than simply a straight line from the knee out.
~Happy dancing!~
Wednesday, August 12, 2020
Halloween in August with LPBC!
In the summer doldrums and looking for something to do this month?
Celebrate Halloween with us!
Saturday, August 29th, at 4PM
- Watch my short film, The Dead Shoes, a spooky hybrid of ballet and scares!
- Show off your Halloween costume in our contest!
- Enjoy a super fun, very easy, Halloween-themed ballet class with me!
Best of all...it's all online so you can do it in the safety of your home (or office or backyard or porch...)
Just make a small donation to the company which is a nonprofit 501(c)(3) so your support is tax-deductible.
Click HERE to be taken to the Eventbrite listing where you can sign up and get your Zoom link.
Sunday, July 26, 2020
Tips from the pirouette mini-workshop!
I'm so impressed with the group of dancers who attended the mini-workshop I held on Zoom this past weekend. Practicing pirouettes at home is not easy and these students were all-in. If you missed it, here are a few takeaways that you can try to apply on your own.
1. In every workshop I teach, I always try to give students a new way of approaching pirouettes en dehors. The fact is, every dancer responds to different images, concepts, and techniques. If the one I give you in a class doesn't click for you, maybe a different one will. That's why I tell students to never give up on turns. Saying, "I can't turn!" is not real. It's something you tell yourself or in some cases, something someone else might have told you.
![]() |
| Compass drawing |
2. The second thing I try to do in each workshop is to emphasize the rhythm of a turn, from preparation to landing. Every turn, inside or outside, attitude or arabesque, etc. has a rhythm to it. You need to keep that rhythm in your head - in your muscle memory - so you always do the same thing. But what is in your head is not necessarily in someone else's head.
On Saturday, I gave my dancers the rhythm of --
If you can keep in your head a rhythm of Reach/Look/Land, you will have a rhythm for every single turn. My dancers reached their arms in front of them, saw what they were going to spot, and then landed the turn. Reach/Look/Land. Reach/Look/Land.
Honestly, it doesn't even matter what those three words are. They could be --
I prefer single syllable words because they pack a punch and are easy to recall. You just want to have a word in your brain that means - for you - what the start of the turn is, what word reminds you to focus on during the turn itself and a word that reminds you about finishing the turn.
Hope these 2 tips help you the next time you take a class or spend some time working on pirouettes. Especially now while you are home without a mirror, it's important to develop proper muscle memory. When you do get back to the studio, you will find turning even easier!
Happy dancing~
Monday, June 29, 2020
Zoom classes begin July 1!
Friday, May 15, 2020
I've been home for 2 months - now what? Student Edition!
![]() |
| Courtesy Denise Krebs, CC Lic |
![]() |
| Don't despair. We'll get through this. |







BASIC BALLET
Thank
you SO much to the 300+ people all over the world who watched our
virtual fundraiser. We had people logging in from 31 states and 5
countries! How cool is that? We raised money for our next show(s) which
will include a full-length version of Circus of Worldly Wonders.







