Showing posts with label ballet. Show all posts
Showing posts with label ballet. Show all posts

Monday, November 18, 2024

Zooming in the holidays?

Hello beautiful dancers!

As I mentioned in my last newsletter, I will be out of town from Dec 10-31. However, in Connecticut I will have access to a studio where I could teach via Zoom. Students could be in their home studios or they could (as a group?) rent studio time wherever they are.

Here are a few options.

A. Thursday Dec 12 after 6pm (3PM PST)
B. Monday Dec 16th anytime from 4:30-8:45pm (1:30-5:45PM PST)
C. Tuesday Dec 17 starting at 815pm (5:15PM PST)
D. Thursday Dec 19th after 6pm (3PM PST)

I will need at least 5 students to do a class. The level would depend on the makeup of the class. For dancers on the west coast, this is definitely earlier in the day for you but dancers elsewhere might find the times more accommodating.

Please let me know by 11/25 if you would like to do A, B, C, or D.  
 
Even if we did just one class, this would be fun!


Tuesday, November 5, 2024

Fall back into ballet!

 

November 2024 schedule

Wednesdays
6:45-8:15PM - Beginner ballet
8:15-9:15PM - Beginner jazz (Dance Party!)
Thursdays
6:30-8PM - Basic ballet
8-9:30PM - Open level ballet
Saturdays
9:30-11AM - Beginner ballet
11AM-12PM - Pointe/pre-pointe
Sundays
10-11:30AM - Intermediate ballet
11:30AM-1PM - Basic ballet
SIGN UP FOR ALL CLASSES HERE


Ready for Thanksgiving class?
Our traditional Thanksgiving morning class will be on Thursday, November 28 at 10AM! It's always fun, always lively - a truly wonderful way to start the holiday and express gratitude for the terrific community we have. Join us! All are welcome! (No evening classes on Thanksgiving, only this special morning class)
Your feedback is requested!
In December I will be out of town but I would be happy to teach a few classes via Zoom if there are enough students who would participate. If this is something you would do, please email or text me (323-640-6804) with your name and day and time. I would like to rent studio space where I will be staying so I can properly teach. Thank you!

LPBC News


Get your streaming tickets for "Sweet Sorrow, A Zombie Ballet"!

The company had two fabulous shows at the Lanterman on October 19 and 20. The audiences went wild for the new characters and dances and of course, the zombies!

If you missed the live show, get your streaming ticket now and you will be able to watch anytime you like from October 30th through November 10th. Tickets are on sale now!

Wondering what to expect?

Watch this video from Halloween Every Night from the Saturday night show. You'll see a sneak peek of the show plus an interview with me.


Photo of  Witches by Jazley Faith Photography
From left: Stephanie, Samantha, Kristina, Amanda, Mika







 
 
 
 
Even more from the company!

Here's another fun video treat from remote company member Kavita and two of her friends.They were inspired by the show to create their own hilarious story involving vampires, a special black cat and a magic spell book.
 

Saturday, August 31, 2024

It's still summer in the studio!

 

September 2024 schedule

Wednesdays
6:45-8:15PM - Beginner ballet
8:15-9:15PM - Beginner jazz (just like a super fun Dance Party!)
Thursdays
6:30-8PM - Basic ballet
8-9:30PM - Open level ballet
Saturdays
9:30-11AM - Beginner ballet
11AM-12PM - Pointe/pre-pointe
Sundays
10-11:30AM - Intermediate ballet
11:30AM-1PM - Basic ballet
SIGN UP FOR ALL CLASSES HERE

Please consider posting a review!
If you have posted one already on Yelp, Google or FB, thank you SO MUCH! And if you haven't, I would truly appreciate it. Positive words from current students really encourage new dancers to try a class. Thank you in advance!
Review on Yelp
Review on Google
Review on Facebook
 
 

LPBC News


Early bird savings until 9/7 for the return of "Sweet Sorrow"!

October 19 & 20, 2024 at the Lanterman Auditorium in La Canada, CA!
Have you missed our zombies and our tragic star-crossed lovers? Well, mark your calendars for their rise from the crypt this October. And if you can't see it in person, we'll be streaming on Halloween weekend.

Even if you've seen this show before, we have NEW characters, NEW music, NEW storytelling. We are never satisfied - we constantly evolve to respond to our audience and give them more reasons to come back to the theater.

READY TO BUY YOUR TICKETS NOW? Tickets are on sale now with an EARLY BIRD DISCOUNT!!

Get them at Eventbrite! See you at the show! Check out some of our dancers in rehearsals for the stage. Werewolves and Ravens, oh my!

 

Thursday, May 30, 2024

Dance at Home with Me!

Hello beautiful dancers!

As promised in my newsletter, I'll be posting on my blog some of my YouTube "pandemic" videos from 2020-2021 when I was doing daily live classes from my living room. Remember those days? Thankfully they feel very long ago!

This one is from June 14, 2020:

Beginner Ballet

Enjoy! And keep on dancing! 

I'll post more in the coming days while I am out of town.


Wednesday, May 1, 2024

May news: Summer break plus June 1 All Day Ballet!

 

May 2024 schedule - In-studio & online!

Wednesdays
6:45-8:15PM - Beginner ballet
8:15-9:15PM - Beginner jazz (Leigh's Dance Party!)
Thursdays
6:30-8PM - Basic ballet
8-9:30PM - Open level ballet
Saturdays
9:30-11AM - Beginner ballet
11AM-12PM - Pointe/pre-pointe
Sundays
10-11:30AM - Intermediate ballet
11:30AM-1PM - Basic ballet
SIGN UP FOR ALL CLASSES HERE

SUMMER BREAK!
I will NOT be teaching from May 29 through June 13. My LAST classes before the break will be on Sunday, May 26 and my FIRST classes back after break will be on Saturday, June 15.

GENTLE BALLET AT THE EBELL IS BACK!
Two more classes left in this chill series at the nonprofit Ebell Club in Los Angeles on Monday May 6 & May 13, 11AM-12PM. Join us! Here is the link to sign up for this community-focused and low-key class.

LPBC News


Adult Ballet Intensive on June 1!

Kick off your summer with an all-day ballet intensive!
Do you or someone you know live on the East Coast? Make plans to join me with company members Amanda Singrassia and Asher Taylor-Dawson at Amanda's beautiful studio, Dreamworks Performing Arts Center & Wellness in Kingston, Massachusetts. We'll be teaching:
  • Technique class
  • Partnering class
  • Pirouette workshop
  • Pointe class
  • Plus a reception with a demonstration!
Sign up here and have fun with us in lovely Eastern Massachusetts!
Saturday, June 1, 10AM-4PM
Dreamworks Performing Arts Center & Wellness
187 Summer Street, Kingston, MA 02364

 

Friday, June 30, 2023

July news! Class updates coming in August!

July 2023 schedule - In-studio and online!

Tuesdays (Live Arts LA) - *NO CLASS JULY 4th!*
7-8:30PM - Intermediate ballet
Wednesdays (Inspire Dance Studio)
6:30-8PM - Beginner ballet
8-9PM - Beginner Jazz
Thursdays (Inspire)
7:10-8:40PM - Basic ballet
Saturdays (Inspire)
9:30-11AM - Beginner ballet
11AM-12PM - Pointe/pre-pointe
Sundays (Inspire)
10AM-11:30AM - Intermediate ballet
11:30AM-1PM - Basic Ballet
SIGN UP FOR ALL CLASSES HERE

LIVE ARTS LOS ANGELES STUDIO TO CLOSE IN AUGUST
The beautiful (and big!) studio in Glassell Park will be closing for good this August, a tremendous loss for our dance community. Karen and Jennifer created a welcoming environment for all kinds of movement-based activities in the LA area and I loved holding my Tuesday night class there after Dance Arts Academy closed (another great studio lost!). The last class I will hold at LALA will be on Tuesday, August 15. I hope you can make it!
AUGUST SCHEDULE CHANGES COMING!
With the loss of one studio comes the opportunity to restructure! Beginning Thursday August 24th, at Inspire Dance Studio, the Basic Ballet class will start at 6:30PM and will be followed by Intermediate Ballet at 8PM. I will remind you all again in next month's newsletter too.
CLASSES CONTINUE ALL SUMMER
Jazz, ballet, pointe! We're dancing through the dog days of summer. It's a great time to try something new: a new style of dance, a new level of ballet...and if you're itching to clean up your pirouettes or have something specific to work on, why not schedule a private lesson? Contact me for more info.

LPBC News

Mark your calendars for our own special Nutcracker: November 11 &12, 2023 at the Lanterman Auditorium!

Did you miss our Pride video? Last month dancers of the company participated in this celebratory video with poetry and dancing; they narrated it and edited it and I loved being part of it too! Click the image below to check it out:

 

Monday, August 1, 2022

August newsletter is here!

 

August 2022 schedule - In-studio and online!

Sunday (Inspire Dance Studio)
10AM-11:30AM - Intermediate ballet
11:30AM-1PM - Gentle Ballet **NOW 90 MINS**
Tuesday (Live Arts LA) 
7-8:30PM - Beg/Intermediate ballet
Wednesday (Inspire)
6:30-8PM - Beginner ballet
8-9PM - Beginner Jazz **SUPER FUN**
Thursday (Inspire)
7-8:30PM - Basic ballet
Saturday (Inspire)
9:30-11AM - Beginner ballet
11AM-12PM - Pointe/pre-pointe **NEW TIME**
SIGN UP FOR ALL CLASSES HERE

New class: Gentle Ballet Sundays 11:30AM
QUESTION: "What is Gentle Ballet and how does it differ from Basic Ballet (and btw, how does THAT differ from Beginner Ballet?"
Gentle Ballet is intended for any level dancer who wants to take class in a slightly less traditional way. They might be brand new, recovering from an injury, or need modifications for the exercises. It will not include grand plies, pirouettes or big jumps; many exercises will be in parallel and/or facing the barre. Center work will include port de bras, traveling steps and short combinations.
Basic Ballet is my most elementary technique class and is the foundation for more advanced vocabulary. It is structured as a typical class and includes barre, center, jumps and turns. It's designed for dancers with little to no experience in ballet.
Beginner Ballet is the next level before Intermediate and includes more advanced vocabulary and more complex combinations than Basic. Dancers in this class are expected to know the basics at the barre and in center.
(P.S. - I teach all 3 of these classes! Tell your friends!)
TECHNIQUE TIP BLOG POST! In case you missed it:
When Ballet Attacks - Get Big! Frequently we make ourselves smaller when faced with new steps or challenging combinations. This post talks about how and why to do the opposite!
***HEY! Have YOU tried Beginner Jazz yet? Each week we dance to great music, work up a sweat, and learn some new choreography (either original or a classic jazz piece). It's so much fun! Wednesdays at 8PM!***

Wednesday, June 29, 2022

Your second leg: the easiest thing you can focus on to up your technique!

Hello beautiful dancers!

While watching students in a class that was not my own, I was struck by a common element that seemed to distinguish beginner dancers from experienced ones, messy technique from clean technique:

The Second Leg

No matter what the student was doing - a glissade, a pique turn, chaine turns, pas de chat - the second leg, that is, the leg that follows, was an afterthought or placed incorrectly. The first leg - the lead leg - was fine! In some instances, it was great! But the second leg...

...not so much. Some problems I saw:

In a glissade, the second leg is turned in and placed into fifth instead of extending to second with energy and the toes melting into the floor before the foot closes.

In a pique turn, the second leg steps across the lead leg instead of cutting under it.

In a series of chaine turns, the second leg both turns in and crosses over the lead leg instead of staying in tight first position. 

In a pas de chat, the second leg doesn't propel the body to the side but instead lifts in place by the knee and turns in.

There are many, many more examples I could use so okay, let's talk about some of them too:

In a pirouette en dehors, the second leg - the standing leg - doesn't push up to a full releve but spins in place on the ball of the foot.

In a grand jete developpe (or saut de chat), the second leg doesn't actively battement off the floor but drags behind.

In a grand jete en tournant (or tour jete), the second leg doesn't kick higher than the lead leg and gets turned in.

In a pique arabesque, the second leg doesn't maintain its rotation and gets turned in.

And on...

Do you see where I'm going with this? 

**Focus on your second leg. 

**Focus on the leg that you're not actively thinking about. 

We spend a lot of time thinking about stretching the leg fully for a pique, and we brush the leg very high for a grand jete, but we forget about the leg that follows - the Second Leg. Where is it? What is it doing? How does it need to be activated? Is it staying turned out?

All of these things should become second nature to you and when they do, then your technique will be clean. Remember, it's not about height in a jump, not about the number of turns you can do, not about the speed of your traveling turns...it's about proper placement of the feet and and maintaining rotation. 

And it's also about safety! If your second leg isn't working correctly, if you're overcrossing, you will spin out of control on turns and run into other dancers or off the stage. If you're not kicking that back leg on a jump or pushing for a pas de chat, you can land badly and hurt your knee or your hip.

So next time you're in class, take a moment to focus differently. Learn to love your Second Leg!

Happy dancing!

(And don't forget to sign up for Gentle Ballet on Sundays at 11:30AM AND get your tickets to the streaming event of Hotel at the End of the Universe on July 9 &10!)

The cast striking a silly pose
 
With my 3 cheeky bellhops!

Tuesday, March 15, 2022

What's coming this spring? Jazz in the studio and on Zoom - starts April 6!

Beautiful dancers, I am so excited to announce my first offering of Basic Lyrical Jazz!

Friends from college will remember me as a lyrical jazz dancer, not a ballet dancer (did I tell you I used to run out of ballet classes with tears in my eyes because I felt so discouraged? lol...no? okay, forget I said anything - I love ballet!)

The thing is, as much as I truly do love ballet - and honestly, it is a challenging yet beautiful art form that I take tremendous joy in teaching - I have missed lyrical jazz.

No, we will not do floor work in my class.
 

Note: please do not confuse "lyrical jazz" with "lyrical" or "contemporary," whatever the heck those latter two things are supposed to be. The words lyrical and contemporary are modifiers, not nouns. You would be correct to ask someone, "Contemporary what? Art? Music? Furniture?"

Back in my day - lo, these many decades ago - which is, ahem, the 80s, my jazz classes danced to music by Annie Lennox, Art of Noise, Wham! and everything you've ever heard on a John Hughes movie soundtrack. The movement was a nod to ballet but also jazz and modern dance. Pirouettes were in parallel and traveling steps included very wide balances which we called step, ball, change. We wore flared jazz pants or unitards, Oxford style jazz shoes and little socks or tights, and of course, leg warmers and matching head bands.

It was fun. F. U. N. FUN! 

The competition crowd has taken lyrical jazz and turned it into an acrobatic kind of thing with dancers expressing overwrought emotions and miming the lyrics to the songs. When I taught teens, I would see them singing along to songs in their classes or, worse, I would see their teachers teaching movement to the words in the lyrics. What the heck? No, just no. Maybe if you were on Broadway doing "Chicago" or something.

Not Fosse.

When you take Basic Lyrical Jazz with me, you will get a 20 minute warmup, 20 minutes of turns and traveling steps and then 20 minutes of choreography to a fun piece of music. It will feel like casual ballet, gooey modern, and expansive jazz. Add it all up and you get lyrical jazz.

Come try it out: Wednesdays, 8-9PM PST, at Inspire Dance Studio (or on Zoom if you are so inclined).

BONUS: Take both the Wednesday Beginner Ballet from 6:30-8PM first and get $5 off when you also sign up for the jazz class on the same night. Just purchase the ballet class first and then you'll get the code to apply to the jazz class.

Starts April 6! 


Sunday, July 4, 2021

What's happening in July? Newsletter!

 

 

July 2021 schedule

CLASSES AT 3 STUDIOS & ONLINE!

Sunday: Open level Technique Hybrid class
10-11:30AM Studio A, Silverlake

Sunday: Pointe/pre-pointe Hybrid class
11:40AM-1PM
Studio A, Silverlake

Tuesday: Open level Technique Hybrid class
7-8:30PM
Live Arts LA, Eagle Rock

Wednesday: Beginner level Technique In-studio class
6:30-8PM
Inspire Dance Studio, La Canada

Thursday: Basic level Technique In-studio class (NEW!!)
7-8:30PM
Inspire Dance Studio, La Canada

Saturday: Open level Technique Online class
9:30-11AM
Zoom only

Saturday: Open level Technique In-studio class
12-1:30PM
Inspire Dance Studio, La Canada
 

Policy changes! Please read before you come to the studio!

1. Vaccinated dancers may opt out of masks but unvaccinated dancers MUST wear masks in class. This is the current rule at all 3 studios where I rent. As of 6/28/21, LA County Health Dept also recommends ALL people wear masks in indoor public places, regardless of their vaccination status. If this (or any other guidelines) changes the rules at the studios, I will implement them as well.
2. ALL dancers MUST sign up for classes in advance online ONLY .
3. ALL paper cards will be converted to e-cards.

 

NEW class & level coming JULY 1!

BASIC BALLET
Thursdays 7-8:30PM
Inspire Dance Studio


This class is perfect for dancers who want to get back to class slowly, who are returning from injury/illness, who want an extra class to work en pointe, or who fell in love with ballet during the pandemic and now need in-person guidance and corrections. We'll start with the basics of the barre, some simple center and across-the-floor, and lots of ports de bras, too!

If you know someone who wants to start ballet or brush up on where they left off as kids, please tell them. Join us! Tell a friend!
 

LPBC News

The Circus was a success!
 

Thank you SO much to the 300+ people all over the world who watched our virtual fundraiser. We had people logging in from 31 states and 5 countries! How cool is that? We raised money for our next show(s) which will include a full-length version of Circus of Worldly Wonders.

Best of all, we had a chance to connect with new friends and show them a new way to watch ballet. I fully support dance in the virtual space and can't wait to do more of it!

If you want to become part of what we're doing, check out the website for more information. We have lots of opportunities for fun and challenging activities!


 

Wednesday, October 7, 2020

Your developpe could be better...3 tips!

Just as with pirouettes, there are so many things we can be thinking about when we do développé.

And just as with pirouettes, we can't possibly think about all of them at the same time!

So here are 3 things to focus on when you work on your développé, one for each direction. If you can make them part of your muscle memory, you can free your mind to think about other things, like choreography or performance quality:

Devant

Gamzatti Variation Classical Ballet Solo by Harclade

This means "to the front."

Think about: lower belly (that triangle-shaped area underneath your belly button).

When we talk about "lifting" the lower belly, we mean trying to keep your pelvis upright, not tilted (don't spill your cup of water!). Often when we stretch the leg to the front, we collapse our centers and the lower belly tilts backward. To compensate for this, we grab onto the barre tightly. Instead, when you are working to the front, try to imagine your lower belly flat and the cup of water you are keeping there upright. As you stretch the foot away from your center, picture the heel rotating outward to spiral out and up, not down.

A là seconde

Aurora Ballet 20120504019 by Greg Gamble

This means "to the second position" which we commonly interpret as "side."

Think about: the side of your rib cage from under the armpit to the top of the waist.

You can apply this correction when you work to the side, thinking about the "barre" side of your body. As you stretch the leg out, try to think about the opposite side of your waist lengthening and providing a strong stable complementary base to the working leg. While you do want to extend the leg as high as it can go, you also don't want to allow it to pull you off your standing leg. If you can picture yourself growing taller on both sides of your body, you can evenly extend the leg to the side without collapsing toward the barre (or in the center, you will remain upright and not fall over).

Derrière

IMG 0224 by Dubna Fantazia

This means "to the back."

Think about: working through back attitude.

I don't have eyes in the back of my head and I'm pretty sure you don't either. That's why it can be hard to stretch your leg to the back without crossing it over the heel of the standing leg or leaving it open (what we call "secabesque" when we are being silly). It's also quite easy to lose your rotation and wind up with a turned-in leg. As you develop the leg from passe, try to go through your back attitude before you completely stretch it out. This will keep your rotation and also ensure that you are not crossing it too much. It's a very 3-dimensional feeling to move through the space like this, rather than simply a straight line from the knee out.

~Happy dancing!~

Wednesday, August 12, 2020

Halloween in August with LPBC!

 In the summer doldrums and looking for something to do this month?

 Celebrate Halloween with us! 

Saturday, August 29th, at 4PM 

  • Watch my short film, The Dead Shoes, a spooky hybrid of ballet and scares!
  • Show off your Halloween costume in our contest! 
  • Enjoy a super fun, very easy, Halloween-themed ballet class with me!

 

Best of all...it's all online so you can do it in the safety of your home (or office or backyard or porch...)

Just make a small donation to the company which is a nonprofit 501(c)(3) so your support is tax-deductible.

Click HERE to be taken to the Eventbrite listing where you can sign up and get your Zoom link.


Sunday, July 26, 2020

Tips from the pirouette mini-workshop!

Hello beautiful dancers!

I'm so impressed with the group of dancers who attended the mini-workshop I held on Zoom this past weekend. Practicing pirouettes at home is not easy and these students were all-in. If you missed it, here are a few takeaways that you can try to apply on your own.

1. In every workshop I teach, I always try to give students a new way of approaching pirouettes en dehors. The fact is, every dancer responds to different images, concepts, and techniques. If the one I give you in a class doesn't click for you, maybe a different one will. That's why I tell students to never give up on turns. Saying, "I can't turn!" is not real. It's something you tell yourself or in some cases, something someone else might have told you.

I was told by a teacher I would never do more than a double turn. That stuck in my head for years!

The concept I introduced on Saturday was using the knee to guide the turn: an image of drawing a circle in the air with your knee, kind of like a compass (does anyone use compasses to draw perfect circles anymore?). This will prevent you from losing your rotation as you turn and also keeps you level. Once you are up in your releve, you let the head snap you around and let the knee guide you.

Compass drawing


2. The second thing I try to do in each workshop is to emphasize the rhythm of a turn, from preparation to landing. Every turn, inside or outside, attitude or arabesque, etc. has a rhythm to it. You need to keep that rhythm in your head - in your muscle memory - so you always do the same thing. But what is in your head is not necessarily in someone else's head.

On Saturday, I gave my dancers the rhythm of --

Reach
Reach the arms out
 
Look
Look at something
 
Land
Land the turn

If you can keep in your head a rhythm of Reach/Look/Land, you will have a rhythm for every single turn. My dancers reached their arms in front of them, saw what they were going to spot, and then landed the turn. Reach/Look/Land. Reach/Look/Land.

Honestly, it doesn't even matter what those three words are. They could be --

Prep/Spot/Land  

or Bend/Stretch/Bend  

or Start/Rise/End 

or Arms/Head/Knees

I prefer single syllable words because they pack a punch and are easy to recall. You just want to have a word in your brain that means - for you - what the start of the turn is, what word reminds you to focus on during the turn itself and a word that reminds you about finishing the turn.

Hope these 2 tips help you the next time you take a class or spend some time working on pirouettes. Especially now while you are home without a mirror, it's important to develop proper muscle memory. When you do get back to the studio, you will find turning even easier!

Happy dancing~





Monday, June 29, 2020

Zoom classes begin July 1!

Hello beautiful dancers!

On Wed July 1, I will start teaching on Zoom so we can begin to transition back to classes. The Zoom schedule will be as follows:

Sunday 11AM-12:15PM Open level technique
Sunday 12:15-1:30PM Pointe
Monday 6:45-8PM Open level technique
Tuesday 6:45-8PM Open level technique
Wednesday 6:45-8PM Open level technique
Thursday 6:45-8PM Open level technique
Saturday 9:30-10:45AM Open level technique

Payment for classes: I will be converting ALL paper cards to e-cards. Each of you will receive credit for any remaining classes you have on your cards (e.g. 2 classes left on a 10-class card is worth $31). Please send me a photo of your card so I can give you proper credit. If I have your card, I will do it for you. The credit will be associated with your preferred email address so be sure to tell me which one you want to use; you can use your credit to purchase a class whenever you sign up for it. Your balance will adjust each time you purchase a class.

Each Zoom class is $15 and will be limited to 10 students. To attend a class, simply go to my class page on my website, select the class you want to attend and reserve your spot. You only need to fill in your name and email and pay for the class. A reminder and Zoom link will be emailed to you. When we return to in-studio classes, we will continue to do everything online and with reserved spots.

I will also continue teaching a free livestream class on Fridays at 11AM on YouTube. If you have any questions, just let me know!As with everything during this pandemic, we need to be flexible!

Thank you all so much for your support and willingness to try new things in new ways!

Friday, May 15, 2020

I've been home for 2 months - now what? Student Edition!

"It's just for a week. Or two. That's it. A couple of weeks."

"They'll fly by! It will be April before we know it and then we'll be back in the studio and dancing with our friends."

And then it was April and we realized, uh-oh, this is going to be much longer than 2 weeks...

Courtesy Denise Krebs, CC Lic

As dancers, we discovered the joy of connecting with other dancers around the world, of taking classes with French teachers and Russian ballerinas, of trying hip-hop and contemporary and Zumba and yoga. Look at all these classes online! Look at all the dancers in their kitchens! Look at all the--

Oops! Look out for the lamp! And the dog!

It was fun for a month or so as we adjusted to a new way of training at home. We built our home studios and we set aside quiet time for ourselves (if we could) and closed the door (if we could) and tried to put our minds back into the studio while our bodies were stuffed into a corner of a living room or perched on the chair in the kitchen nook.

And then reality set in. Oh we thought we were in a new reality but this was the real reality. The reality that we weren't with our friends and our teachers; we weren't getting corrections like we were used to getting; we weren't really training.

We were just...trying really really hard to not kick the dog or smack our hand on the lamp. (I personally have done both many times.)

So right around the 2 month mark, true frustration has set in. Enough of the experimentation with all things new and different! Give us the same old stuff!

We might be in this place for a while longer, depending on where you live. You might go back to your work place but the dance studio will still be closed, which means you're in your home studio for a bit longer. Okay...let's be honest about what you can work on at home. Here is some advice I have for you, as both the teacher who wants to see you mentally healthy and physically able to get back to the regular class and the student who is also stuck at home.

First of all, focus on one thing at a time. Consider each class in your home as an opportunity to work on a step or an arm or a head, etc. You won't have this chance again in the future, unless you do private lessons.

Some things you could focus on:

1. Balance - practice flat or releve, with foot in cou de pied or retire or attitude
2. Stability - practice promenade in any position; developpe; shifting from fourth position to retire as in a pirouette en dehors
3. Port de bras - practice moving through the space and feeling the 3-dimensionality of your hand and fingers tracing the arc in the air
4. Epaulement - practice tilting the head, opening the chest, lifting the sternum and collarbones, rotating the shoulder
5. Calf strength - releves on one leg with the barre and without, use your Theraband with releves in first position

Second, use the rewind button - a lot. If you're not doing a live class, go ahead and hit the back button on a particularly challenging step or a complex combination. Watch it over and over again, study the teacher, and copy it as best you can. When will you ever be able to do that in real life?

Hint: learn new vocabulary by watching a more advanced class and studying the steps and hearing the words.

Third, spend this time to work on muscle memory. Most likely you don't have a kitchen with mirrors so you are doing this on your own. Take this time to feel the movement and get it into your body.

Hint: if you have a small portable mirror, place it somewhere that you can see to check a correct position and then feel what that looks like in your body.

Fourth, practice choreography. This sounds impossible, I know. You're at home with very little room and no mirrors. How can you possibly practice choreography? I would argue this is the perfect time to do it. We rely so much on mirrors and other people that sometimes we don't even pay attention, let alone learn the choreography. So why not use this opportunity to focus on picking things up?

How do you do that? The number one thing to know about learning choreography is that it's different for every person. When I was studying pedagogy in college, the most valuable thing I learned was about how people learn. Some dancers need music, some need to see the combination. Some need the names of the steps or the counts. Do you know how you learn best? Well, why not find out now!

Some hints:

1. Repetition
2. Break a combination up into small chunks
3. Say the names of the steps
4. Count out the music
5. Listen to the music
6. Video yourself doing the combination and then watch it!

Fifth, cross-train.

~Do you have a pool? Swimming builds shoulder and back muscles and increases stamina.
~Do you enjoy walking or running? Put on your sneakers and walk or jog a few times a week for cardio benefits and leg strength.
~Is your town open to hiking? Enjoy nature while you're climbing a hill.
~Yoga and Pilates mat classes are also online and a great way to work in parallel and build core muscles.
~Lift weights if you have them or use objects that can simulate weights.
~Ride a bike, stationary or an actual bike.

Sixth, read. That's right: read. There are a ton of great dance books out there, both fiction and non-fiction (contact me if you need some titles or visit Dance Advantage for my reviews). If you're just not feeling the love of ballet right now because it's just too darn hard to negotiate for space in your home or you're finding it hard to be motivated, you might enjoy reading something that will inspire you or comfort you or educate you. Learn new vocabulary or dance history; check out a memoir of a famous or not-so-famous dancer. Study up on the big ballets and their composers - or choreographers - or costume designers.

Don't despair. We'll get through this.


Whatever you do, know that you are not alone.
As with all social media, what we see may not be what is.
Other dancers may appear to be doing ALL THE THINGS but they're not.
Or maybe they are.
But what does that matter? You are you.
And we are dancers.