What are you talking about, Leigh?
When a dancer pulls the foot of her gesture leg up to the knee of her support leg, this can alternately be called retire or passe. The two look exactly the same but are, in fact, quite different.
Huh? What's the difference?
Think of retire as a position while passe is an action. Retire means to withdraw or "draw up." Passe means passing, as if you are passing through something.
Still doesn't mean anything to me. Why do I need to know this?
It's important to understand the difference so you know when to apply each to what you're doing. For instance, in an adagio, you might think of the gesture leg moving through passe as you develop it en avant. In this case, it is an active part of the movement, rather than a static pose. However, if you were performing a pique turn, you would bring the leg up to the position of retire and think of holding it in that position as you pirouette.
Speaking of pirouette...which am I using?
Both. Kind of. Simultaneously. First, regardless of your preparation for your pirouette en dehors, you take a demi-plie and spring up to your releve on the support leg. The gesture leg draws up to retire and you think of this as the shape in which you will be rotating. BUT! During the turn, you need to keep that gesture leg active so while it is in the retire position, it is actually passe in that the knee is continuing to press back (as you "open the door") and maintaining turnout at the top of the thigh. It does indeed "pass through" just before you finish the turn and roll down to your final pose.
Anything else you want to say on this topic?
Yes! No matter which you word you use, be sure to keep the hip down, avoid sickling the foot of the gesture leg, and pull up the quads/kneecaps/hamstrings of the support leg. And one more thing...
...happy dancing~
Showing posts with label retire. Show all posts
Showing posts with label retire. Show all posts
Friday, March 17, 2017
Friday, November 4, 2016
Week's end roundup: Halloween pics, Nutcracker shirts and a Technique Tip!
'Tis the holiday season! First up, Halloween!
If you didn't make it to class, I hope you spent it trick-or-treating with the kids or being a good neighbor and handing out treats. Here are a few photos of what you might have missed on Monday night:
First of all, chocolate cookies shaped like cats!
Students in both classes dressed in costume!
My musical playlist!
And me, as Rosie the Riveter!
And in one month, we'll be performing Nutcracker!
Here is Bill Reiss's awesome design for the shirt to commemorate our Dec 4th shows at the Norris Theater in Palos Verdes, with Classical Ballet Theatre:
Want one for yourself? You can order in black or white, men's, women's and youth sizes here.
And finally, a technique tip to end your week: Get dirty!
That's right - don't be afraid to get your tights dirty (or your socks or your legs) when you:
--hold your leg in retire. Be sure to press the toe right into the knee and lock it in there. If you keep your toe separate from your knee, and it sort of hovers next to the leg instead, you end up hiking the hip instead of maintaining the natural turnout.
--perform pique turns in passe. Again, press the toe into the back of the knee and hold it there for a split second longer than you think. Don't be in a rush to get the foot back down to the ground.
--practice battu at the barre. You want to return the foot to the ankle each and every time you do frappe, rather than let it hover an inch or two above it. And in petit battements, keep the working foot that is in coup de pied very close to the support leg. Try not to circle front to back but instead, form a V-shaped action in the air.
--do rond de jambe en l'air in center or at barre. Your toe will quickly dab at the inner knee when you do this correctly. If you don't actually touch the support knee, that means you are circling the knee improperly, more like a can-can dancer, and that is physically bad for your knee joint.
When you do all of the above, you might end up with pink tights spotted with dirt from your shoes and that's okay. You might even end up with some light bruising if you're wearing pointe shoes or dance sneakers. That's less okay but not unusual! Just be sure to actually make contact when you're performing the above exercises or else you will be hiking your hip and engaging your quadriceps too much.
Happy dancing~
If you didn't make it to class, I hope you spent it trick-or-treating with the kids or being a good neighbor and handing out treats. Here are a few photos of what you might have missed on Monday night:
First of all, chocolate cookies shaped like cats!
| Thanks, Martha Stewart! |
My musical playlist!
And me, as Rosie the Riveter!
And in one month, we'll be performing Nutcracker!
Here is Bill Reiss's awesome design for the shirt to commemorate our Dec 4th shows at the Norris Theater in Palos Verdes, with Classical Ballet Theatre:
Want one for yourself? You can order in black or white, men's, women's and youth sizes here.
And finally, a technique tip to end your week: Get dirty!
That's right - don't be afraid to get your tights dirty (or your socks or your legs) when you:
--hold your leg in retire. Be sure to press the toe right into the knee and lock it in there. If you keep your toe separate from your knee, and it sort of hovers next to the leg instead, you end up hiking the hip instead of maintaining the natural turnout.
--perform pique turns in passe. Again, press the toe into the back of the knee and hold it there for a split second longer than you think. Don't be in a rush to get the foot back down to the ground.
--practice battu at the barre. You want to return the foot to the ankle each and every time you do frappe, rather than let it hover an inch or two above it. And in petit battements, keep the working foot that is in coup de pied very close to the support leg. Try not to circle front to back but instead, form a V-shaped action in the air.
--do rond de jambe en l'air in center or at barre. Your toe will quickly dab at the inner knee when you do this correctly. If you don't actually touch the support knee, that means you are circling the knee improperly, more like a can-can dancer, and that is physically bad for your knee joint.
When you do all of the above, you might end up with pink tights spotted with dirt from your shoes and that's okay. You might even end up with some light bruising if you're wearing pointe shoes or dance sneakers. That's less okay but not unusual! Just be sure to actually make contact when you're performing the above exercises or else you will be hiking your hip and engaging your quadriceps too much.
Happy dancing~
Labels:
adult ballet,
advanced ballet,
advice,
battu,
beginners,
bill reiss,
costumes,
frappe,
funny stuff,
halloween,
music,
nutcracker,
petit allegro,
pique,
retire,
t-shirts,
technique talk,
tips
Subscribe to:
Posts (Atom)



