Hello all!
For my local dancers, I just wanted to give you a heads up that this weekend is ScareLA, the huge horror convention in DTLA that my company performs at and also has an exhibitor's booth. This will be our 3rd year at the convention, the second hosting a booth, and we are ALWAYS thrilled to be there.
The horror community has been so kind and generous to us. They are big fans of the zombie ballerinas and they beg to get their pictures taken with them.
Even if you aren't a horror fan, the atmosphere at the convention is fun and sometimes chilling. This year the organizers are making it dark so it has more of a haunted feel rather than an office supply store. Ha!
If you are in the area and planning to attend, please stop by and see us at Booth #108A. We'll also be performing 3 times on the stages:
Saturday, August 25th:
1:15PM - Monster Stage
4PM - Scarywood Street
Sunday, August 26th:
4:30PM - Scarywood Street
We will also be doing occasional "flash mob" type performances at the Sliders Space so keep your eyes peeled for us there.
Here is more info for the schedule and what you can expect at ScareLA this year: ScareLA website
So what does this mean for my classes this weekend? Nothing! They are all happening as usual. I will be teaching my first two classes at 9AM and 10AM but my 11:30AM pointe class will be taught by my friend Carol Guidry, who is an amazing dancer and teacher. You will love her!
Showing posts with label subbing. Show all posts
Showing posts with label subbing. Show all posts
Tuesday, August 21, 2018
Sunday, June 17, 2018
What's new on the blog?
My company, Leigh Purtill Ballet Company, recently started rehearsals for our upcoming show, SWEET SORROW, A ZOMBIE BALLET, which will be performed on October 20 and 21 this year, at the Lanterman Auditorium in La Canada.
So far we've gotten a great head start on the Funeral entrance and opening dance, the Witches, Romeo & Juliet's pas de deux, and a brand new piece, the Spiders! They are elegant and frightening. I'm so excited to be doing new material for this show!
Here are a couple of shots of Holly (Juliet) and Bill (Romeo) working on the pas yesterday. I'll post more pics/stills from rehearsals as I get them.
I've posted a separate calendar below my teaching schedule at the bottom of this page which will include all the rehearsals for the company. (If I could figure it out, I would integrate all of my calendars but I am not that tech-savvy!) As rehearsals are added or changed, this calendar will also be updated so if you are a member of the company or someone who is excited about the show, you can check the calendar for updates.
What else is new?
I'll be subbing for Carol Guidry on a couple of upcoming Thursdays, June 21st and July 5th, at Studio A on Hyperion Avenue in Silverlake, at 10:15AM. The class level is comparable to my Advanced Beginner class, maybe a little more Intermediate than usual. Cost is $15, cash only, please, no class cards, since I have to do my bookkeeping with the studio directly. Hope you can make it if you have those mornings available!
Happy dancing~
So far we've gotten a great head start on the Funeral entrance and opening dance, the Witches, Romeo & Juliet's pas de deux, and a brand new piece, the Spiders! They are elegant and frightening. I'm so excited to be doing new material for this show!
Here are a couple of shots of Holly (Juliet) and Bill (Romeo) working on the pas yesterday. I'll post more pics/stills from rehearsals as I get them.
I've posted a separate calendar below my teaching schedule at the bottom of this page which will include all the rehearsals for the company. (If I could figure it out, I would integrate all of my calendars but I am not that tech-savvy!) As rehearsals are added or changed, this calendar will also be updated so if you are a member of the company or someone who is excited about the show, you can check the calendar for updates.
What else is new?
I'll be subbing for Carol Guidry on a couple of upcoming Thursdays, June 21st and July 5th, at Studio A on Hyperion Avenue in Silverlake, at 10:15AM. The class level is comparable to my Advanced Beginner class, maybe a little more Intermediate than usual. Cost is $15, cash only, please, no class cards, since I have to do my bookkeeping with the studio directly. Hope you can make it if you have those mornings available!
Happy dancing~
Wednesday, May 24, 2017
Update for Summer Schedule
Hello beautiful dancers!
A couple of notes for summer...Would you like to perform with a lovely group of dancers? Save the Date for Nutcracker: 11/19!
Sunday, March 26, 2017
I'm subbing at Studio A on Monday 3/27
Hello local dancers!
Tomorrow, Monday 3/27, at 10:15AM, I'll be subbing for Micah at Studio A on Hyperion Avenue in Silverlake.
It will be a class similar to my Advanced Beginner class on Tuesday and Thursday nights.
Because this is a sub situation, my class cards cannot be used but if you'd like to attend, the cost is $15, cash (I cannot accept credit cards since that would be going to me and not Micah).
Here is a link to the studio's website. At that time of day, there is usually plenty of street parking on Hyperion (free on the west side, metered on the east side).
2306 Hyperion Ave, Silver Lake, 90027
Tomorrow, Monday 3/27, at 10:15AM, I'll be subbing for Micah at Studio A on Hyperion Avenue in Silverlake.
It will be a class similar to my Advanced Beginner class on Tuesday and Thursday nights.
Because this is a sub situation, my class cards cannot be used but if you'd like to attend, the cost is $15, cash (I cannot accept credit cards since that would be going to me and not Micah).
Here is a link to the studio's website. At that time of day, there is usually plenty of street parking on Hyperion (free on the west side, metered on the east side).
2306 Hyperion Ave, Silver Lake, 90027
![]() |
| Antony Tudor teaching class in 1961 |
Sunday, August 3, 2014
Leigh's vacation - August 8-13 - class schedule
Beautiful dancers in Los Angeles and Pasadena! Please note my upcoming vacation information!
**My last class before vacation will be at Dance Arts Academy, Thurs 8/7 6:30PM Beginner/Intermediate.
**My first class back will at Dance Arts Academy, Thurs 8/14 6:30PM Beginner/Intermediate.
Tuesday, October 2, 2012
Spotting and Subbing - a double post of good information!
A few days ago, while in a class I was taking for myself, a friend of mine and I began talking about spotting during turns. We were watching a few dancers in the class and observing who spots well, how they spot, and what the results were for their turns.
As you might expect, the professional ballerinas had intensely sharp spots and their turns were clean, regardless of how many they performed. Then we looked at the "old" pros, the retired dancers. They too had sharp head spots.
But the amateur dancers - no matter how wonderful they were otherwise - did not have that spot. Indeed, we take a class that is primarily for advanced dancers so the students have a lot of skills. Some of them can do 3 and 4 pirouettes, but they manage to do them without that sharp spot.
What is this spot we're talking about?
--The focus does not waver or get distracted.
--The chin is lifted slightly.
--The eyes are wide open, not downcast.
--The shoulders move independently of the head.
--The neck is relaxed, not rigid.
--The head stays in one place and the body moves below it.
One of the reasons pros have this sharp spot is from performing on stage. And it is of paramount importance safety-wise! On stage, the lights can blur your gaze as you turn so if it's not fixed beyond the audience, you can get dizzy and fall or knock someone else over. Pros practice turning in studios and on stage with an audience in mind so they are always dancing "beyond themselves." This stage work is an advantage they have over non-pros.
But you can have this spot! First, it goes without saying that you need to practice - a lot! Second, follow the guidelines I noted above. And third, utilize alternate turn techniques that will get your head moving quickly. I like to have students do very fast chainee turns across the floor, starting with their arms outstretched and then pulling them in tightly to spin faster and faster. This forces a fast spot. My friend, who teaches young children mostly, asks her students to bourree in a circle around themselves and spot the mirror. You can do this at home when you are in the bathroom brushing your teeth!
The most crucial component of a fast head spot is relaxation. If you approach a turn in an anxious manner, your chin will pull back into your chest and you will turn very stiffly. Relax, mentally and physically.
And my second bit of info for my local dancers: on Thursday, Oct 4th and Friday, Oct 5th, I will have a sub for my classes at Le Studio in Pasadena. Due to family visiting, I am actually taking two days off to spend with them (shocking, I know!). So on Thursday, I'm talking about my Pointe 2 class at 5:30 and Int Ballet at 6:30; on Friday, it's my Teen Ballet at 4:30, Stretch at 5:30 and Beg/Int Ballet at 6:30. Otherwise, I am teaching ALL of my other classes this week, including Wednesday morning and evening, and will be back in the studio in Pasadena bright and early for Basic Ballet at 9AM on Saturday morning.
As you might expect, the professional ballerinas had intensely sharp spots and their turns were clean, regardless of how many they performed. Then we looked at the "old" pros, the retired dancers. They too had sharp head spots.
But the amateur dancers - no matter how wonderful they were otherwise - did not have that spot. Indeed, we take a class that is primarily for advanced dancers so the students have a lot of skills. Some of them can do 3 and 4 pirouettes, but they manage to do them without that sharp spot.
What is this spot we're talking about?
--The focus does not waver or get distracted.
--The chin is lifted slightly.
--The eyes are wide open, not downcast.
--The shoulders move independently of the head.
--The neck is relaxed, not rigid.
--The head stays in one place and the body moves below it.
One of the reasons pros have this sharp spot is from performing on stage. And it is of paramount importance safety-wise! On stage, the lights can blur your gaze as you turn so if it's not fixed beyond the audience, you can get dizzy and fall or knock someone else over. Pros practice turning in studios and on stage with an audience in mind so they are always dancing "beyond themselves." This stage work is an advantage they have over non-pros.
But you can have this spot! First, it goes without saying that you need to practice - a lot! Second, follow the guidelines I noted above. And third, utilize alternate turn techniques that will get your head moving quickly. I like to have students do very fast chainee turns across the floor, starting with their arms outstretched and then pulling them in tightly to spin faster and faster. This forces a fast spot. My friend, who teaches young children mostly, asks her students to bourree in a circle around themselves and spot the mirror. You can do this at home when you are in the bathroom brushing your teeth!
The most crucial component of a fast head spot is relaxation. If you approach a turn in an anxious manner, your chin will pull back into your chest and you will turn very stiffly. Relax, mentally and physically.
And my second bit of info for my local dancers: on Thursday, Oct 4th and Friday, Oct 5th, I will have a sub for my classes at Le Studio in Pasadena. Due to family visiting, I am actually taking two days off to spend with them (shocking, I know!). So on Thursday, I'm talking about my Pointe 2 class at 5:30 and Int Ballet at 6:30; on Friday, it's my Teen Ballet at 4:30, Stretch at 5:30 and Beg/Int Ballet at 6:30. Otherwise, I am teaching ALL of my other classes this week, including Wednesday morning and evening, and will be back in the studio in Pasadena bright and early for Basic Ballet at 9AM on Saturday morning.
Subscribe to:
Posts (Atom)




